TagAtlantis

Atlantis: TVC Winter Wonderland Sale!

| Volume 1: https://www.amazon.com/dp/B00V0A3N44 | Volume 2: https://www.amazon.com/dp/B01835JT32 | Volume 3: https://www.amazon.com/dp/B077TSBBYL |

This sale runs all through the weekend of 12/15/2017. Remember, it’s the holidays and books make great gifts!

[Even if they’re not my books. Spread the book love! ]

Atlantis: TVC Volume 3: Complete!

Finally, I’ve completed volume 3!

I know it took longer than expected due to health issues and my surprise baby, but man does it feel good to finally have it done! As of the first draft it has twenty-six chapters, and is roughly one-hundred and four-thousand words long. This will change as editing starts and beta feedback is received, but so far that makes it almost twenty-thousand words longer than volume 1–and I actually ended it early. That’s right, in the timeline it was slated to go on for at least five more chapters but the thing was getting massive. I scaled back, folded the remaining events into volume 4 [Yes, there is a volume 4 planned!] and ended it in what I felt was a good spot.

In the beginning there wasn’t really a plan for a number of volumes. I completely “pantsed” my first book, [This is a valid writing term, I swear.] deciding to just write and see where it went. I thought maybe it would be a standalone, but by the time I reached the end of volume 1 I realized there was a lot more story left and drew up a more concrete timeline of events. Together, the first three books deal with Achine’s rise to the throne and make a decent trilogy. I didn’t plan it that way, it was just a happy accident.

We are going to be moving soon, so this couldn’t have come at a better time. I have hopes that this year I might be able to participate in NaNoWriMo for the first time ever because I have plans for a new series–one radically different from the fantasy feel of the Atlantis books–and I’m hoping to put out volume 1 of it as a NaNo effort. From there I am hoping to alternate between the two series, possibly working on them in tandem at some points. Until then I am going to take a break from writing [except for edits] because there are plans to release physical versions of the first three Atlantis books, which I am really excited about! But it is going to take some time and work to get them revised and properly formatted for print.

As of this posting the digital version of Atlantis: TVC volume 3 should be released this Winter, while the print editions for all three books will be available closer to Spring 2018. [This is subject to change without notice.]

Life, the Universe, and Babies

Oh man, so much has happened since I last posted! I’m not even sure where to begin. As I’m sure you’ve all probably figured out, I had my baby at the end of April. It was a boy! 7 pounds, 8 ounces of squishy baby goodness.

He’s seven weeks old now and starting to come out of his “potato” phase. But up until this point we were on a steep learning curve because it turns out the little guy is allergic to a protein in milk. So this means he was rashy, itchy, colicky, and due to all that didn’t sleep well. Of course, that meant we didn’t either. His first week or so of life he was a fairly content, easy baby. [I seem to have a trend of getting good sleepers that sleep six hours at a stretch right off the bat.] But soon he became this inconsolable mess that barely slept. Once we figured things out and got him on the right formula [Read: the most expensive one on the market!] he’s been a different baby. He sleeps through the night again! He is happy and content! He doesn’t scream like his existence is torture! The downside is that it took five weeks to diagnose and I was so sleep deprived that my body now thinks two hours is a fantastic amount of sleep to be getting. I need to retrain it to not think that because despite what it thinks, two hours is not nearly enough sleep to make rational decisions or be creative on.

As for me, the end of my pregnancy was miserable, but his birth was uneventful–quick, even! However, I ended up back in the hospital for three days–I got postpartum pre-eclampsia again. So this means we are done having babies because almost dying a second time was really not on my list of things to do. Ugh. Then within my first week of being discharged we all got sick.  I ended up with the flu [despite getting a flu shot!] and pneumonia. Somehow I was able to keep from passing it to the baby, who just had a cold. If you’ve never dealt with a sick newborn, count your blessings. It’s miserable.

Now that my health and the baby’s well-being have been sorted out I’m able to finally get back to working on volume 3 of Atlantis: TVC. [Which I stupidly thought I would have done before I delivered. Very naive of me…] My issue with not getting it done is that so much more is going on than I had originally thought: scenes that I thought would be a few pages at most are ending up being entire chapters; scenes that I was excited for and looking forward to writing turned into plotting nightmares… so the word count is going much higher than I had initially planned. In fact, I’ve had to restructure the original end of the book [by moving some scenes and plot elements to volume 4] to help control the length. I’m already over my 55,000 word minimum and I’m only two-thirds of the way done! Since returning to writing, I’ve completed two chapters. It may not seem like much, but you have no idea how stuck I was on a certain scene. A critical exchange needed to happen between two characters and I didn’t want to screw it up. I like it the way it is now, but that’s not to say it won’t change during edits. [So much stuff changes during edits…]

On a final note, if you follow me on social media, then you already know that while I was on hiatus someone did a video review of volume 1! I always get nervous when there is a review done of my work; however she had nothing but good things to say–so that was a relief! Writing is such a personal thing, and despite the fact that when people review your work they’re reviewing your work and not you as a person, you still feel like you’ve failed somewhere when someone doesn’t like what you’ve done.

I’m gonna pull a Hermione here though and state for the record that it’s pronounced “Ah-chi-nay”. But the reviewer had a wonderful accent, so all is forgiven. :p

P.S: I love hearing from readers! If you’ve done a review of one my books, or have made a piece of fanart or anything like that, please drop me a line and I will check it out. [I might even showcase it on this blog!]

Review of Atlantis: TVC — Volume 1

Something unexpected has happened!

If you’ve been on the fence about picking up Volume 1 of my light novel series, Atlantis: The Visionary Continent, then maybe the review J.K. Penn wrote will be the push you need to grab a copy! Check out his write-up here.

He also reviews a few other light novels [Both traditionally and self-published] on his blog, and even has a light novel of his own. [Which you should check out as well!]

What a pleasant early Christmas present! rainbow

The Heart of Your Story

When I was in high school, I took a semester of Theater as an elective. I forget why I did it originally–I suspect I may have been strong-armed into it by an acquaintance–but I’ve never regretted it.

To my surprise, I did well enough that I ended up in two plays. I still have no idea how that happened.

All my English classes taught the bare minimum: spelling, basic mechanics, and the rules of the language. Only one teacher ever went into anything beyond that, and they went the way of personal interpretation. All of them ignored structure–which would have been helpful, since I remember more than a handful of occasions where we were required to write an original short story as an assignment. Instead, I learned about it in Theater, of all places.

We learned the Three-Act Structure, which consists of the following set up:

Act I

  • Introduction — The Main Character is introduced to the audience.
  • Exposition — We learn more about the MC and their relationships.
  • Catalyst — This is the event that motivates the MC and moves the story forward. The resolution of this event becomes the Goal.

Act II

  • Rising Action — The MC is taking actions that intend to move him/her closer to the Goal.
  • Turning Point — The MC finds a way to reach the Goal. This may be preceded by a backslide.

Act III

  • Climax — The outcome of this event determines if the MC reaches their Goal.
  • Falling Action — The Goal has [or has not] been met, and the MC is dealing with the aftermath.
  • Close — A last look at the MC and how the events of the story affected and/or changed them.

This is the classic structure of storytelling, and is the backbone of many tales. This was later replaced by the Five-Act Structure, which is illustrated here as Freytag’s Pyramid:

Though I didn't know it was called that until a few years ago.
Though I didn’t know it had a name until a few years ago. [Source: Wikimedia Commons]

It’s much easier to understand when it is shown to you like this.

  • Exposition — Introduction to Main Character, setting, and backstory.
  • Rising Action — Events that propel the MC toward the climax.
  • Climax — The major event of the story that reverses the MC’s fortune. [Bad -> Good or Good -> Bad]
  • Falling Action — The conflict arising from the events of the climax is confronted and dealt with.
  • Denouement — The end. All previous conflicts have been resolved, and the MC has undergone a metamorphosis.

The elements of those five parts will also have their own shape. They will vary from writer to writer, but there are common ones that tend to crop up. Let’s go over a few of them!

Flat

For the most part, you don’t want this. They are boring, tedious areas where nothing happens to develop characters or advance the plot. Think about a book you’ve read where you find yourself skimming the page, hoping to get to the next scene break. That’s Flat. New writers tend to go flat in the beginning of the story, thinking they have to detail everything about the setting and main character all at once, which overwhelms the reader. If a story is flat for too long, readers will give up on it before you have a chance to get to the plot.

But… Flat doesn’t have to be negative. You can use it to your advantage–especially to heighten suspense, or the impact of an unexpected turn in the story. The key is to keep it brief, but just long enough to make the reader start to wonder where you are going. That’s when you can lead into a Sudden Spike, and turn tedium into a form of tension.

Sudden Spike

When you have tension followed by a major event, followed by downtime, that is the Sudden Spike. Think of a scene where two people who clearly don’t like each other are exchanging dialog. This is the build up of tension. One character will say the wrong [or right] thing, and a fight erupts! This is the spike. After the encounter is over, there is a period of downtime which can be anything from one character having been thoroughly defeated and fleeing the situation, to the two characters realizing that fighting is pointless and deciding to resolve their differences in another way. The event doesn’t have to be physical; it can be anything that causes stress to the Main Character.

Mesa

These occur where the story takes a turn for the worse for the Main Character. You have a rise where things seem to be going well, or maybe the scene begins on a high note. This becomes something the reader expects to continue, which is the flat part at the top of the rise. Then suddenly, something catastrophic happens and the MC plummets from where they had been–losing a dream job, failing to prevent something precious from being taken from them, or being defeated by the villain–all events that become the straight drop of the mesa. At the bottom, you have a flat part where the MC has to come to terms with what has happened before they move forward.

Rise-Fall-Rise

This is one of my personal favorites, because when it is done right it packs a hefty emotional punch. It could also be called “Exchange” because during these one thing is lost in order to gain another. You start during an action scene, and as it comes to its climax the bottom drops out and something bad happens. In order to qualify as a true Rise-Fall-Rise, something good has to come from the bad thing. This could be anything from a precious memento being destroyed in order to save the world, to defeating the villain but having a character die in the process. These moments typically occur at the peak of rising action, or at the end of the climax. It does not count if the reader only thinks the Main Character will lose something, but in the end they don’t lose anything and still gain the benefit. That is a Threatened Rise-Fall-Rise, and while some writers feel it is easier on the reader it comes off as cheap–unless written extremely well.

A great example of a well-executed Threatened Rise-Fall-Rise is the “I Open at the Close” scene in the Harry Potter books; while a classic example of a true Rise-Fall-Rise is during the climax of the first season of the TV series Stranger Things, in the scene with Eleven and the Demogorgon.

Decline

While you traditionally see this during denouement–with the Main Character resolving conflict and tying up loose ends–it can also turn up during Rising Action. This may seem counter-intuitive, but there are stories where this is necessary. If you have a tale of redemption, you need a decline of events to show the Main Character hitting their low point before the catalyst makes them change their ways. If a character needs to lose everything before they heed the call-to-action–then you use a Decline–chaining bad events together until the character has nowhere to go but up.

Keep in mind that
Keep in mind that “low point” is entirely relative to the character themselves…

A good way to see how your story moves is to map out the flow of each scene, then string them together to see the pulse of your story. Overall, you should see something similar to the Five-Act Structure, but you will also see all the little things in between. If your story has multiple storylines running at once, then map out each one individually. You will gain fascinating insights, such as discovering that even if two characters share a scene it may be charted differently between them. [Which you will see below.]

I refer to it as a pulse because it should look like the readout on an EKG–with peaks and valleys–proof that your story is alive. As an example, I mapped out two intersecting story pulses from volume #2 of my Atlantis: TVC series:

The whole book takes place over the span of a day, so the peaks and valleys are more exaggerated than what you’ll see in a story that plays out over a longer period of time. The two characters shown here–Achine [Main Character] and Gialasa–are together for the entire book, except when they are separated at the end. As you can see, each girl’s arc is different, despite them going through the same events at the same time.

Achine’s pulse has several Mesas, and the one right at the climax also doubles as a Rise-Fall-Rise. In sharp contrast, Gialasa’s begins from a higher point [part of carry over from volume #1] and continues as a Decline, marked by two small Sudden Spikes that only continue the downward trend. As you can see, this character is having a difficult time. The bottom of Achine’s Rise-Fall-Rise is Gia’s lowest point, and the two arcs begin to rise together just after the climax. During denouement, she ends up in a better position than Achine, and it shows in the ending height of their respective pulses.

What’s interesting to note is that as I stated earlier, the girls are both in the same bad situation throughout the book, but their pulses are vastly different. Achine’s determined personality makes her proactive, which creates sharper rises and steeper falls in her pulse as she tries to improve their situation. Gialasa has a anxious, meek nature, and this causes the steady decline of her arc’s pulse as fear renders her unable to function for the majority of the story. It only rises towards the end, when she is finally forced to act.

If you find your story is receiving negative feedback about pacing, or if you feel it is missing something that you can’t put your finger on, try taking its pulse. Seeing your story in a different way may highlight parts where you can improve.

For me, seeing my own characters’ pulses side-by-side shows the difference an active character and a passive character can have on the same story. If Gia were the main character she wouldn’t be able to advance the narrative in a meaningful way on her own, and it would make for a frustrating read! But because she is a supporting character–and she has precedence for behaving the way she does–she becomes an important foil for Achine during the course of the story. Gialasa’s weakness is part of what motivates her to act.

However, you can’t tell subtle things like that from pulse comparisons. So while they are great for seeing the rhythm of a story or arc, you can’t gauge whether it is good based on its pulse alone. But when used together with feedback from a trusted source [editors, beta readers, etc.], it becomes a valuable tool for fine-tuning your story.

Thanks-Give-Away Promotion

To say thank you to my readers, all my available works are free over the Thanksgiving holiday. That’s right–free! If you’ve been waiting to pick up volume #2 of the Atlantis: TVC series, or to try one of my other stories, now is the time! Want something to curl up with while you snack on leftovers? This deal is for you!

Have a friend you think may be interested in one of the stories listed above? Feel free to share this promotion! It’s for ALL my readers–current and future.

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Thank you all for your support. I am truly thankful for each and every one of you.

[Links to the listed e-books can be found on the Shop page in the header, or by clicking on the image above.]

Insert Witty Joke About Writers and Alcohol Here

Sometimes my writing brings me to strange places. This time it has lead to me making my own liqueur.

If you’ve read volume 2, then you remember a scene with someone sipping Sweet Summer out of a glass on a balcony while attempting to wax nostalgic as they drank. The Tirtessian alcohol makes a few appearances in the first half of volume 3 as well, and I got to thinking… would it be possible to actually make this?

With that thought fresh in my mind, I purchased ingredients and began to experiment. I don’t want to spoil anything too much, but I will say that trying to construct a foolproof recipe has been a test of my patience. I read up on how to make liqueur, made tweaks based off recipes similar to what I was looking for, and waited. The minimum waiting period of each batch is two weeks, and the first one failed spectacularly. I mean it was completely, utterly undrinkable–like turpentine and furniture polish had a nasty baby in my cupboard.

I started on a second batch and made some adjustments after more research. The results were much better than the first go, but it was watery somehow, and not what I wanted. I ended up trying to boil it to get it to condense, and I think that messed it up. That one was discarded as well.

So I started the third batch and held my breath, going for broke. After the two week wait I was apprehensive, and spent a long time carefully straining the cloudy, pale yellow liquid. At this stage it did not look appetizing in the least! It began to take on a brighter hue and cleaner appearance as I removed the byproducts, and my hopes began to rise.

Finally, I had strained it as far as I could and it had magically turned into something close to the bright, yellow liqueur I wrote about. Success!

Well, visual success, anyway. I mean, it looked and smelt like what I wanted, but how did it taste?

I drank a sip of it hesitantly from a small glass. It. Was. Amazing.

The final recipe feels so wasteful because after all is said and done you discard about one-half to two-thirds of the batch in order to clarify it–but what is left is a brilliant, semi-opaque, syrup-like liqueur that coats your mouth in the most wonderful way. I made it in a mason jar, and when you pop the lid off the smell of citrus perfumes the air around you. It’s not sour, like I expected. In fact it’s incredibly sweet, and that makes it feel like you aren’t drinking alcohol at all. My only regret is that I could not strain it well enough, so it’s a bit cloudier than I feel it should be. I may try to pick up a paper filter and see if that helps. [Multiple runs through a fine mesh sieve and a tea sock is how I got the result I have, so we’ll see if I waste money on that or not.]

It’s a surreal kind of indulgence to drink an alcohol that I made up, while writing the story I concocted it for–in some parts, as my characters are drinking it.

To keep it accessible to everyone, I still need to develop a non-alcoholic version. I’m not exactly sure how I am going to manage that, as the alcohol is a key component that drives the chemical change; but I have a feeling that despite my misgivings the non-alcoholic version will be the easiest to make. There will be little to no wait period–failure can happen faster than ever!


The recipe will be released close to the publication date of volume 3. It will be included in the bonus content of the book itself, and here on my blog.

Note: I wrote this over the summer, as I write some posts months in advance but don’t publish them until later. I’m clarifying since it follows my last post. The only thing I am drinking right now that would raise eyebrows is iced coffee, ha ha. [Though according to ACOG, you can drink up to 200 mg of caffeine safely. Let’s put that old wives’ tale to bed for good!]

Though… this would be a great time to work on my non-alcoholic version of Sweet Summer.

The Glottal Stop [AKA: The Weird Apostrophe in That Word]

What do you call the apostrophe that appears in the middle of a word? Not one indicating possession, but one that is stuck in something for a reason that only seems discernible to the person who did it.

They’re called glottal stops, and not only do they appear in the names of real people, but they are common enough in fantasy writing to be considered a trope.

Now, full disclosure here–I use them in my writing. Specifically in my Atlantis: The Visionary Continent series. Why? To separate Native Atlantian [what the original Atlantians spoke] from Modern Atlantian, which is infused with all kinds of junk from other languages. [Notably Latin; to which I say… big surprise.] If you come across a glottal stop in my series then you know it’s an old word.

In American English they’re pronounced like a brief, stuttered pause–which is your vocal cords momentarily closing. This elongates the sound of the letter before the pause, often enough to overtake the letter after it. [As in “Mountain” {mount’in} or “Button” {butt’n}.] Most works of fantasy or sci-fi use them this way, though sometimes the rules of a specific series [or author] treat them as if they have their own sound–which is valid and happens in other real world languages as well. I treat them accordingly for Atlantian, which makes the name “I’nass” sound like ee-nass rather than eh-nass. Contrasting that is the other “I” name in my books, Idane, which has no glottal stop and is pronounced eh-dah-nay. [Allophones are fun, right?]

Not many people know what they’re called, and that they serve a purpose in language. More often than not they are filed under “Made-Up Fantasy and Sci-Fi BS“, or “Trying Too Hard to Be Creative” and left there to fester. Unfortunately this leads to the glottal stop getting a bad rap. I’ve heard everything from “lazy writers use them as a crutch to make names sound ‘exotic’,” to “If I see them in anything I’m reading, I will literally throw the book across the room and stop reading it.” Ouch, right? Why the visceral reaction? [Also, do those people throw their e-readers, or do they just delete the book in a rage? I imagine that is as anti-climatic as pressing the “End Call” button really hard on your phone’s screen.]

Though better than a broken e-reader every few books.

One guess would be overuse, despite the fact that recent negativity has made them uncommon again. I can’t figure out why a very vocal segment of readers respond to them the way they do. My first suspicion is that it’s become trendy to hate it. It happens to a lot of books and writing styles–if anything has ever been popular at one point, it will give rise to a counterculture that hates it simply for the sake of not wanting to follow the trend of enjoying it. [That was a mouthful, wasn’t it?]

Of course, overuse and misuse are both terrible things… but when a large group of people can’t even tolerate the thought of one, it raises questions. And no group is more polarized about it than other writers–you run the gamut of them thinking the glottal stop is whimsical, to acting like wanting to include one in your work constitutes some kind of war crime.

The battles are fierce, and not as verbose as you’d think.

It’s an innocent bit of punctuation! It has its time, and place. It’s like the Oxford Comma’s lesser known cousin; becoming more and more reviled as the years pass. Why all the hate for a tiny little mark between letters?

P.S: I am Pro-Oxford Comma.

P.S.S: I will officially declare my love of the super-versatile em dash. It is my favorite bit of punctuation, and has been ever since I can remember. [Even before I knew what it was officially called.] heart

End of Summer Sale!

That’s right! Volumes #1 and #2 are on sale this weekend! You can pick up Volume #1The Visionary Continent for FREE, and Volume #2Awakening is only 99¢. Grab them before summer is over! [They’re great for reading by the pool, or so I’m told…]

If you’re looking for a shorter read, my novelette Simple Words is free this weekend as well!

Writing, Tropes, and Losing Yourself in the Details

I was tempted to call this post “Tropey Tropey Trope Tropes”, because this is the state of mind I am in right now.

In one of the writing forums I frequent, tropes in fantasy novels came up for discussion. The main post asked what we writers [as readers] thought the genre was lacking, and what we would like to see in the future. Most writers used the opportunity to list what tropes they felt were tired and worn out, but some of them listed things they would like to see. The interesting part for me was that before this post, I didn’t realize how many tropes my Atlantis: TVC series subverts or deconstructs. Of course, there are many that it plays true to; after all, tropes are tropes because they’re common, and they’re common because they work. [See, this is why I aimed for that title, because the word “trope” is going to come up. A lot. It’s going to look strange on the screen after a while, and by the end of this article it will become a mass of letters that not only will seem spelled wrong, but lack meaning. Also, that’s known as semantic satiation. Or you can be fancy and call it jamais vu.]

Fun and educational!
This post is fun and educational!

Obligatory TV Tropes Warning: I’m totally going to link to TV Tropes beyond this point. You will lose hours, possibly days by following these links. Stay strong!

Okay, now that the disclaimer is out of the way, let me start by saying this–and reinforcing an earlier point–tropes are not inherently bad. Tropes are tools. [See what I did there?] Like I said, I was surprised by how many tropes I unconsciously subverted. I didn’t intend to do this; the story just happened to take me in this direction. I wrote a post a while back and in it I stated how after I began taking my writing seriously, I became disenchanted with all media because I spent so much time dissecting it, trying to predict where the story would go. It became so bad that I stopped enjoying it. I had to take a giant step back and learn to turn my inner writer off.

[Note: At this point in the article, I went to look something up and wasted three hours on TV Tropes without realizing it. Let that be an additional warning for you, in case you were not taking my previous one seriously.]

I ended up having to take a long break from everything to do with writing–writing forums, writing guides, TV Tropes, actual television… and yes, writing. I was taking a trip to visit my parents for a few weeks, so I deliberately left my laptop at home. The only thing I’d have access to would be the tactics, and rhythm games I had on my 3DS, and the games I had on my phone. [Mostly puzzle games, like Sailor Moon Drops.] And of course, Reality TV, because that’s what my parents enjoy. I can easily tune that out though, so that last one wasn’t a big deal.

It worked. I came back fully reset and not only able to enjoy the things I used to love, but having a better idea of how not to fall into that cynical mindset again. Surprisingly, it helped me to see my own book in a new light, and I ended up tearing down a lot of the future events I had planned and reconstructing them from the ground up. I am really pleased with the direction I’m moving in now, and I feel my writing is stronger for it.

Oddly enough, this is what is allowing me to self-analyze my own work and see what I have done. Here are some of the tropes I have identified in Atlantis: TVC:

Note: I tried to not spoil anything crucial to the plot.

    • A Birthday, Not a Break – Achine. [I feel bad for her. It just makes everything happening at the time worse.]
    • Calling Your Attacks – This was one of my favorites. Subverted by Eruni in volume #2, then deconstructed by Varanis in the same scene.
    • Mana Drain – Played mostly straight.
    • Mythopoeia – True to trope. Atlantian gods, goddesses, and mythos are all figments of my own imagination and not based on anything in reality. [Excepting Atlantis itself, which was a myth in its own right, but nothing about my version and the common version match.]
    • Urban Fantasy – Slightly subverted, and partially deconstructed. Though in the story Atlantis exists in its own bubble in our times, Davidian’s explorations into “modern” society have inspired advancements in Atlantian science and technology–the most notable of those being the mana potion, which was already mentioned as being something he drove development of in volume #2. [Later in the series his exact inspiration will be revealed, but you can probably guess what it was if you think about it.]

There were more I wanted to mention, but I would be spoiling major plot points from the current and future volumes.

When I originally created the Atlantis: TVC series eighteen years ago, I had no idea what a trope was. When I was re-tooling it two years ago [By the way, today marks the two-year anniversary of when I started writing volume #1! Time sure flies, huh?] I knew of tropes, but didn’t really know what they were in detail. I can’t imagine what it would have been like trying to write with a negative view of tropes stuck in my head! If I listened to everything I read, I may have never gotten past my notes…

At some point you’re going to have someone criticize your work. You’re going to read somewhere that writers who don’t go out of their way to subvert tropes shouldn’t be writing at all because everything has been done already. When you do come across this, put it out of your mind. Just because a formula is the same doesn’t mean it’s going to be written the exact same way. Every story is different, despite sharing tropes. That’s why people have favorite types of stories–because usually they share tropes! So when you encounter that, remember: only you can write your story.

P.S: Some of my personal favorite tropes are: Freaky Friday, Relationship Upgrade, Babies Ever After, Rescue Reversal, Firting Under Fire, Heroic B.S.O.D., Let’s Get Dangerous, Battle Couple, and Hope Springs Eternal. What are some of yours?